"Crombie keeps this series on its toes with her smooth procedural techniques and engagingly eccentric characters."
- New York Times Book Review
"Sergeant Gemma James and Superintendent Duncan Kincaid reappear in this finely tuned procedural . . . With her meticulously, affectionately drawn cast, Crombie is closely attentive to every facet of the tiny village and demonstrates that if country life is clannish and inbred, the small world of the police force is much the same."
- Publisher's Weekly (Starred Review)
"Those eager to know what happened to Sergeant Gemma James and Superintendent Duncan Kincaid after their first romantic encounter will line up for Crombie's fourth installment . . . Another winner . . ."
- Booklist
"Finely tuned…With her meticulous, affectionately drawn cast, Crombie is closely attentive to every facet of the tiny village and demonstrates that if country life is clannish and inbred, the small world of the police force is much the same."
– Publishers Weekly
"Any village mystery worth its salt must have a vicar, preferably as frisky a specimen as the female cleric in Deborah Crombie’s Mourn Not Your Dead. Crombie keeps this series on its toes with her smooth procedural techniques and engagingly eccentric characters. "
–The New York Times Book Review
"The fourth in Crombie’s excellent police procedural series…The characterizations are varied and well drawn…The detection is enormously satisfying…Crombie might be the most British of American mystery novelists."
– The Plain Dealer (Cleveland)
"There’s something about the Scotland Yard team of Duncan Kincaid and Gemma James that makes me want to follow them forever. Put Deborah Crombie on your personal reading list."
– Meritorious Mysteries
Scribner -June 1996 - lSBN 0-684-80131-0
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Chapter One
His office seemed to shrink as he paced. The walls drew in, their angles distorted by the elongated shadows cast from the swivel lamp on his desk. The Yard always felt a bit eerie at night, as if the very emptiness of the rooms had a presence. He stopped at the bookcases and ran his finger along the spines of the well-thumbed books on the top shelf. Archeology, art . . . canals . . . crime reference . . . Many of them were gifts from his mother, sent in her continual quest to remedy what she considered his lack of a proper education, and although he'd tried to group them alphabetically by subject, there were a few inevitable strays. Kincaid shook his head--would that he could order his life even half as well as he did his books. He glanced at his watch for the tenth time in as many minutes, then crossed to his desk and sat down very deliberately. The call that had brought him in had been urgent--a high-ranking police officer found murdered--and if Gemma didn't arrive soon he'd have to go on to the crime scene without her. She'd not been in to work since he had last seen her on Friday evening. And although she had called in and requested leave from the Chief Superintendent, she had not answered Kincaid's increasingly frantic calls. Tonight Kincaid had asked the duty sergeant to contact her, and she'd responded. Unable to contain his restlessness, he rose again and had reached to pull his jacket from the coatstand when he heard the soft click of the latch. He turned and saw Gemma standing with her back to the door, watching him, and a foolish grin spread across his face. "Gemma!" "Hullo, guv." "I've tried and tried to ring you. I thought something must have happened--" She was already shaking her head. "I went to my sister's for a few days. I needed some time--" "We have to talk." He moved a step nearer and stopped, examining her. She looked exhausted, her pale face almost transparent against the copper of her hair, and the skin beneath her eyes held faint purple shadows. "Gemma--" "There's nothing to say." She slumped, resting her shoulders against the door as if she needed its support. "It was all a dreadful mistake. You can see that, can't you?" He stared at her, astonishment freezing his tongue. "A mistake?" he managed finally, then wiped a hand across his suddenly dry lips. "Gemma, I don't understand." "It never happened." She took a step toward him, entreating, then stopped as if afraid of his physical proximity. "It did happen. You can't change that, and I don't want to." He went to her then and put his hands on her shoulders, trying to draw her to him. "Gemma, please, listen to me." For an instant he thought she might tilt her head into the hollow of his shoulder, relax against him. Then he felt her shoulders tense under his fingers and she pulled away. "Look at us. Look at where we bloody are," she said, thumping a fist against the door at her back. "We can't do this. I've compromised myself enough already." She took a ragged breath and added, spacing the words out as if to emphasize their weight. "I can't afford it. I've my career to think of . . . and Toby." The phone rang, its short double brrr echoing loudly in the small room. He stepped back toward his desk and fumbled for the receiver, bringing it to his ear. "Kincaid," he said shortly, then listened for a moment. "Right, thanks." Replacing the handset in the cradle, he looked at Gemma. "Car's waiting." Sentences formed and dissolved in his mind, each sounding more futile than the last. This was not the time or the place to discuss it, and he would only embarrass them both by going on about it now. Finally, he turned away and slipped into his jacket, using the moment to swallow his disappointment and compose his features in as neutral an expression as he could manage. Facing her again, he said, "Ready, Sergeant?"
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