"Crombie's English procedural series featuring Scotland Yard's Duncan Kincaid and Gemma James takes a giant leap forward with this haunting mystery set among Cambridge literary types . . . This is the best book yet in an already accomplished series. Crombie excels at investing her mysteries with rich characterization and a sophisticated wash of illuminating feminism."
- Publishers Weekly (Starred Review)

". . . a wonderful example of the classic British novel set in and around Cambridge. . ."
- The Poisoned Pen

"Fascinating…multilayered."
– The New York Times Book Review

"A story of death, obsession and secrets."
– Houston Chronicle

"Dreaming Of The Bones will make you cry and catch your breath in surprise."
– Chicago Tribune

"A delicious tale of misdeed."
–The Denver Post

"If you don’t mind developing a deep relationship with the characters and witnessing a murder without one single clue, this could be your dream book."
–Knoxville News-Sentinel

"Deborah Crombie (is) arguably Texas’ finest writer of classic mysteries. "
- Texas Monthly

"Haunting...The best book in an already accomplished series."
–Publishers Weekly (starred review)

"It’s a pleasure to encounter the rich, elegant writing and engaging and thoughtful characterizations in this highly civilized, intricate and clever novel. "
– The Drood Review of Mystery

"The interweaving of past and present is done with great skill, and the richness of the characterizations is wonderful…well-done, engrossing book."
–I Love A Mystery

"Crombie’s elegant prose is stunning it its clarity; her plotting is vastly superior to the demands of the genre and her full-blooded characterizations, poignant and haunting, highlight an atmospheric mystery that ranks among this year’s very best offerings."
–Mostly Murder

"…Crombie is…most credible in that her characters speak and behave like real people and her style avoids excess. A careful, intricate, polished plotter, she crafts gems that reflect specifically British as well as universal behaviors."
– The Poisoned Pen

"This is the best book in an already accomplished series. Crombie excels at investing her mysteries with rich characterizations and a sophisticated wash of illuminating feminism. "
–Publishers Weekly

 

Scribner - October 1997 - lSBN 0-684-80414-8






 

Chapter One


Where Beauty and Beauty meet
All naked, fair to fair,
The earth is crying-sweet,
And scattering bright the air,
Eddying, dizzying, closing round,
With soft and drunken laughter;
Veiling all that may befall
After--after

Rupert Brooke, from
Beauty and Beauty

 

 

The post slid through the letter box, cascading onto the tile floor of the entry hall with a sound like the wind rustling through bamboo. Lydia Brooke heard the sound from the breakfast room, where she sat with her hands wrapped round her teacup. With her morning tea long gone cold, she lingered, unable to choose between the small actions that would decide the direction of her day.

Through the French doors at the far end of the room, she could see chaffinches pecking at the ground beneath the yellow blaze of forsythia, and in her mind she tried to put the picture into words. It was habit, almost as automatic as breathing, this search for pattern, meter, cadence, but today it eluded her. Closing her eyes, she tilted her face up towards the weak March sun slanting through the windows set high in the vaulted room.

She and Morgan had used his small inheritance to add this combination kitchen/dining area to the Victorian terraced house. It jutted into the back garden, all glass and clean lines and pale wood, a monument to failed hopes. The plans they’d had to modernize the rest of the house had somehow never materialized. The plumbing still leaked, the rose patterned wall-paper peeled delicately from the walls in the entry hall, the cracks in the plasterwork spread like aging veins, the radiator hissed and rumbled like some subterranean beast. Lydia had grown used to the defects, had come to find an almost perverse sort of comfort in them. It meant she was coping, getting on with things, and that was, after all, what was expected of one, even when the day stretching ahead seemed an eternity.

She pushed away her cold cup and rose, tightening the belt of her dressing gown around her slight body as she padded barefoot towards the front of the house. The tile felt gritty beneath her feet and she curled her toes as she knelt to gather the post. One envelope outweighed the rest, and the serviceable brown paper bore her solicitor’s return address. She dropped the other letters in the basket on the hall table and ran her thumb carefully under the envelope’s seal as she walked towards the back of the house.

Freed from its wrapping, the thick sheaf of papers unfolded in her hands and the words leapt out at her. IN THE MATTER OF THE MARRIAGE OF LYDIA LOVELACE BROOKE ASHBY AND MORGAN GABRIEL ASHBY . . . She reached the bottom of the stairs and stopped as her brain picked out words from amongst the legalese. FINAL

DECREE . . . PETITION OF DIVORCE GRANTED THIS DAY . . . The pages slipped from her numb fingers, and it seemed to her that they drifted downwards, cradled on the air like feathers.

She had known it would come, had even thought herself prepared. Now she saw her hollow bravado with a sudden sickening clarity--her shell of acceptance had been fragile as the skin of algae on a pond.

After a long moment she began to climb the stairs slowly, her calves and thighs aching with the burden of each step. When she reached the first floor, she held on to the wall like an unsteady drunk as she made her way to the bathroom.

Shivering, shallow-breathed, she closed and locked the door. The motions required a deliberate concentration; her hands still felt oddly disconnected from her body. The bath taps next, she adjusted the temperature with the same care. Tepid--she’d read somewhere that the water should be tepid--and salts, yes, of course, she added the bath salts, now the water would be warm and saline, satin as blood.

Satisfied, she stood, and the deep blue silk of the dressing gown puddled at her feet. She stepped in and sank into the water, Aphrodite returning from whence she came, razor in hand.