Victoria McClellan lifted her hands from the keyboard, took a breath and shook herself. What in hell had just happened to her? She was a biographer, for Christ’s sake, not a novelist, and she’d never experienced anything like this, certainly never written anything like this. She had felt the water slide against her skin, had known the seductive terror of the razor.

She shivered. It was all absolute rubbish, of course. The whole passage would have to go. It was full of supposition, conjecture, and the loss of objectivity that was fatal to a good biography. Swiftly, she blocked the text, then hesitated with her finger poised over the delete key. And yet . . . maybe the more rational light of morning would reveal something salvageable. Rubbing her stinging eyes, she tried to focus on the clock above her desk. Almost midnight. The central heating in her drafty Cambridgeshire cottage had shut off almost an hour ago and she suddenly realized she was achingly cold. She flexed her stiff fingers and looked about her, seeking reassurance in familiarity.

The small room overflowed with the flotsam of Lydia Brooke’s life, and Vic, tidy by nature, sometimes felt powerless before the onslaught of paper--letters, journals, photographs, manuscript pages and her own index cards--all of which defied organization. But biography was an unavoidably messy job, and Brooke had seemed a biographer’s dream, tailor-made to advance Vic’s position in the English Faculty. A poet whose brilliance was surpassed only by the havoc of a personal life strewn with difficult relationships and frequent suicide attempts, Brooke survived the episode in the bath for more than twenty years. Then, having completed her finest work, she died quietly from an overdose of heart medication.

The fact that Brooke had died just five years before allowed Vic access to Lydia’s friends and colleagues as well as her papers. And while Vic had expected to be fascinated, she hadn’t been prepared for Lydia to come alive. She’d seen Lydia’s house--left to Morgan Ashby, who’d leased it to a doctor and his family. Littered with Legos and hobby horses, it had seemed to Vic to retain some indefinable imprint of Lydia’s personality--yet even that odd phenomenom provided no explanation for what had begun to seem perilously close to possession.

Lydia Lovelace Brooke Ashby . . . Vic repeated the names in her mind, then added her own with an ironic smile. Victoria Potts Kincaid McClellan. Not as lyrical as Lydia’s, but if you left off the Potts it had a bit of elegance. She hadn’t thought much about her own divorce in the last few years--but perhaps her recent marital difficulties had caused her to identify so strongly with Lydia’s pain. Recent marital difficulties, bloody hell, she thought with a sudden flash of anger. Couldn’t she be honest even with herself? She’d been left, abandoned, just as Lydia had been left by Morgan Ashby, but at least Lydia had known where Morgan was--and Lydia hadn’t a child to consider, she added as she heard the creak of Kit’s bedroom door.

"Mum?" he called softly from the top of the stairs. Since Ian’s disappearance, Kit had begun checking on her, as if afraid she might vanish, too. And he’d been having nightmares. She’d heard him whimper in his sleep, but when she questioned him about it he’d merely shaken his head in stoic pride.

"Be up in a tic. Go back to sleep, love." The old house groaned, responding to his footsteps, then seemed to settle itself to sleep again. With a sigh Vic turned back to the computer and pulled her hair from her face. If she didn’t stop she wouldn’t be able to get up for her early tutorial, but she couldn’t seem to let go of that last image of Lydia. Something was nagging at her, something that didn’t quite fit, and then with a feeling of quiet surprise she realized what it was, and what she must do about it.

Now. Tonight. Before she lost her nerve.

Pulling a London telephone book from the shelf above her desk, she looked up the number and wrote it down, deliberately, conscious of breathing in and out through her nose, conscious of her heart beating. She picked up the phone and dialed.

Gemma James put down the pen and wiggled her fingers, then raised her hand to her mouth to cover a yawn. She’d never thought to get her report finished, and now the tension flowed from her muscles. It had been a hard day, at the end of a difficult case, yet she felt a surprising surge of contentment. She sat curled at one end of Duncan Kincaid’s sofa while he occupied the other. He’d shed his jacket, unbuttoned his collar, pulled down the knot on his tie, and he wrote with his legs stretched out, feet rather precariously balanced on the coffee table between the empty containers from the Chinese take-away.

Sid took up all the intervening sofa space, stretched on his back, eyes half-slitted, an advert for feline contentment. Gemma reached out to scratch the cat’s exposed stomach, and at her movement Kincaid looked up and smiled. "Finished, love?" he asked, and when she nodded he added, "You’d think I’d learn not to nitpick. You always beat me."

She grinned. "It’s calculated. Can’t let you get the upper hand too often." Yawning again, she glanced at her watch. "Oh, lord, is that the time? I must go." She swung her feet to the floor and slid them into her shoes.

Kincaid put his papers on the coffee table, gently deposited Sid on the floor, and slid over next to Gemma. "Don’t be daft. Hazel’s not expecting you, and you’ll not get any good mum awards for waking Toby just to carry him home in the middle of the night." With his right hand he began kneading Gemma’s back, just below the shoulderblades. "You’ve got knots again."

"Ouch. Mmmm. That’s not fair." Gemma gave a half-hearted protest as she turned slightly away from him, allowing him better access to the tender spot.

"Of course it is." He scooted a bit closer and moved his hand to the back of her neck. "You can go first thing in the morning, give Toby his breakfast. And in the meantime--" The telephone rang and Kincaid froze, fingers resting lightly on Gemma’s shoulder. "Bloody hell."

Gemma groaned. "Oh, no. Not another one, not tonight. Surely someone else can take it." But she reached for her handbag and made sure her beeper was switched on.

"Might as well know the worst, I suppose." With a sigh Kincaid pushed himself up from the sofa and went to the kitchen. Gemma heard him say brusquely, "Kincaid," after he lifted the cordless phone from its cradle, then with puzzled intonation, "Yes? Hullo?"

Wrong number, thought Gemma, sinking back into the cushions. But Kincaid came into the sitting room, phone still held to his ear, his brow creased in a frown.

"Yes," he said, then, "No, that’s quite all right. I was just surprised. It has been a long time," he added, a touch of irony in his voice. He walked to the balcony door and pulled aside the curtain, looking into the night as he listened. Gemma could see the tension in the line of his back. "Yes, I’m well, thanks. But I don’t see how I can possibly help you. If it’s a police matter, you should call your local--" He listened once more, the pause longer this time. Gemma sat forward, a tingle of apprehension running through her body.

"All right," he said finally, giving in to some entreaty. "Right. Hang on." Coming back to the coffee table, he picked up his notepad and scribbled something Gemma couldn’t decipher upside down. "Right. On Sunday, then. Goodbye." He pressed the disconnect button and stood looking at Gemma, phone in hand as if he didn’t know what to do with it.

Gemma could contain herself no longer. "Who was it?"

Kincaid raised his eyebrow and gave her a lop-sided smile. "My ex-wife."